I am thrilled Scott has something new--I haven't heard of it and it's good the old-timer is still putting out the good word.
Austin
might be the best place.There had been much development and
urbanization, but the geography and ecology of the area is god-awful
beautiful. All the young folks are hipsters, but it doesn't bother me.
There are old rivers, old buildings, and brutal hills, tarantulas, and
fire ants, ancient oak trees, and dry river beds. I speak Spanish here
when I can. In the late 1830s two fellas lived in a small cabin and raised cattle. It was a potentially lucrative thing, but dangerous, because you had the Mexican threat and he Indian threat. The Mexicans invaded San Antonio and all but 12 families stayed in Austin. Not soon after, one of the two fellas went from town to check on the cattle. It was bad timing: an Indian tribe killed him. The other fella didn't give up and kept working that land. Much of it was later donated, and you can ride your bike up and down Shoal Creek still. Sunday, July 26, 2015
Tuesday, July 21, 2015
Reponse to comment on Who Where the Gods?
My comment was "too many characters," and so must be published as a post.
I agree with "The nature of his connection to the earth remains the question." As the earth is being destroyed, perhaps the question goes away or a new question emerges, or man no longer asks questions, and then man goes away, either silently, or violently. Perhaps humanity marches towards a great Jante's parade, and yawns itself to one genderless, emotion-free death.
The use of the term surplus is diverse, perhaps diverse among cultures and the context in which the term is used. If I understand the way the word is being used, it is used in the economic, mathematical sense. It is also identified as a problematic: surplus is a bad thing, and has led men astray, changed them in a bad way: it started with farming and has led to the creation of New York City (the epicenter of some force that without a doubt is destroying earth--I only need to recall how close a huge damn was to being built in Patagonia. If it had been built, it would have destroyed the river I had seen. The epicenter in that context was Santiago, but Santiago is Chile's New York City.)
But the term to me is perplexing, and I wonder if the criticism or description of surplus is really just a criticism of an *attitude* or tendency rather than an actual thing. Is your description of surplus a criticism of the Western methodology of making legible and transforming the earth (and men and women with it), an attitude that could be described by using the word "technology," insofar as technology could be described as man's relationship to the earth, as you point out?
I point out my confusion with the term surplus because I have had two completely opposite feelings about surplus: times when I see to much of something that has spoiled, retarded, and corrupted man (malls, fast food, suburban isolation, excessive use of automobiles in lieu of walking or bike riding, destruction of forests for newspaper), and an abundance of something that has enriched man--such as a lake in Patagonia that is full and abundant of glacier-fed water, or a bakery full of hot empenadas, or an abundance of bicycle inner-tubes.
For there should be no guilt or shame in abundance--whether the abundance occurs naturally in the earth (a lake of drinkable water in Patagonia, for example), or whether it is an abundance of food that man has cultivated, or an abundance of things man has made.
If there is a guilt or shame--if we have identified a problematic--if we say that surplus is a problem, what we are saying is that we are doing something wrong, we are not living correctly, we have a bad technology which is destroying us and the earth.
Understood as a problematic, the term 'surplus' is an attitude of legibility which measures the earth in order to exploit, dominate, and control the earth, and exploit, dominate and control man. It is an *adversarial* relationship to both earth and man, a desire to dominate and transform, rather than an attitude to work with the earth and learn from the earth.
The term has great irony, because man is making and *storing* his abusive transformation of the earth. Seen as a negative economic 'good,' the products of this transformation are not surpluses, but vortexes. Hence the last sentence should read: "I believe it is the notion of vortex that is missing."
If you can successfully identify and describe this problem of vortex, you will enlighten all human beings about their destiny. You will provide an ontological foundation for man's teleology. You will be given a fine cabin in the Black Forest.
Man is damaging the earth and producing things of inferior quality to the earth (for example, the suburban divisions you speak of, the Ikea furniture I just assembled made from Brazilian rainforest wood--I find it strange that I never made it to the Amazon, but I am directly responsible for destroying the Amazon before I have a chance to visit). If I am to correctly understand the import of your use of the concept of surplus, I am going to replace the word "surplus" with "damage" or "earth-cancer" or "earth-attack."
If you want to conduct an anthropological study of man's attack on the earth, look no further than what I am doing: living in a city, riding my folding bike 21 miles to an Ikea, and buying items from China, India, Pakistan, and Brasil. I am certain that most of the 'goods' that I have purchased have further entrenched the matrices which I criticize.
Saturday, July 18, 2015
Who were the gods?
The modern view point makes this clear: Don't ask this question.
The gods represented a world that limited the domination of one sort of 'class' or type of humans. By asking about the gods, we revisit a time the the current dominant class was subordinate.
To limit the world to one God, or to say God is dead, or the gods are dead: this is the the dominate world view. We allow a folksy, whimsical reminiscence of the gods, but only as an accessory to a materialistic world-view that has denounced the gods, made a mockery of their value.
The mono-theistic, materialist God, is the spirit of the state. Scott speaks of the organically flowing garden, how a garden flourishes when each small plot of land is cultivated to its special uniqueness. The time of the gods was the same thing: we had millions of feelings of spirit, and people were free to express these feelings. At some point came coercion on a wide-spread scale. This is where the human race got in trouble.
The struggle, now, is between human freedom and its diversity, and a distrust of human freedom, and a desire to coerce, control, and cull humanity to one shape and form.
The gods are man's way of speaking to his earth on his own terms, in the many ways man landed on his specific place on earth, and freely made best of his surroundings. The earth is large and diverse, and men and women have a unique way of speaking to their earth wherever it may be.
The gods, for any man or woman, should be obvious. If they're not, there is coercion, and where there is coercion, there is an attack on the gods, and, what I think is the same thing, an attack on the earth.
The gods represented a world that limited the domination of one sort of 'class' or type of humans. By asking about the gods, we revisit a time the the current dominant class was subordinate.
To limit the world to one God, or to say God is dead, or the gods are dead: this is the the dominate world view. We allow a folksy, whimsical reminiscence of the gods, but only as an accessory to a materialistic world-view that has denounced the gods, made a mockery of their value.
The mono-theistic, materialist God, is the spirit of the state. Scott speaks of the organically flowing garden, how a garden flourishes when each small plot of land is cultivated to its special uniqueness. The time of the gods was the same thing: we had millions of feelings of spirit, and people were free to express these feelings. At some point came coercion on a wide-spread scale. This is where the human race got in trouble.
The struggle, now, is between human freedom and its diversity, and a distrust of human freedom, and a desire to coerce, control, and cull humanity to one shape and form.
The gods are man's way of speaking to his earth on his own terms, in the many ways man landed on his specific place on earth, and freely made best of his surroundings. The earth is large and diverse, and men and women have a unique way of speaking to their earth wherever it may be.
The gods, for any man or woman, should be obvious. If they're not, there is coercion, and where there is coercion, there is an attack on the gods, and, what I think is the same thing, an attack on the earth.
Wednesday, July 8, 2015
The Golden Age of Everything
"...Mary chose the better part.
What is the better part? It is God, and consequently everything, but it is called the better part because it must be chosen; one does not receive everything as everything, that is not how one begins: one begins by choosing the better part, which is, nevertheless, everything."
Kierkegaard, The Journals
For one man, it may be his claim to his piece of frozen ground on an abandoned park in the middle of a city afraid of its own cold as he runs in the deep ruts in pitch black, or up a mountain in great hunger, only to find God's nourishment laid there for him in the Summer. For another man, it may be his claim both against the wind and for each piece of a map he turns down, inch by inch, as he fights the barren Ruta 3, each spot of shade a salvation, each sip of water an anointment against death, which for him would mean no more movement. For another man, it might be a small hill not really close to anything, but that he can call his own.
But none of these men 'received everything as everything." No, all of these men began "by choosing the better part, which is, nevertheless, everything."
What is the better part? It is God, and consequently everything, but it is called the better part because it must be chosen; one does not receive everything as everything, that is not how one begins: one begins by choosing the better part, which is, nevertheless, everything."
Kierkegaard, The Journals
For one man, it may be his claim to his piece of frozen ground on an abandoned park in the middle of a city afraid of its own cold as he runs in the deep ruts in pitch black, or up a mountain in great hunger, only to find God's nourishment laid there for him in the Summer. For another man, it may be his claim both against the wind and for each piece of a map he turns down, inch by inch, as he fights the barren Ruta 3, each spot of shade a salvation, each sip of water an anointment against death, which for him would mean no more movement. For another man, it might be a small hill not really close to anything, but that he can call his own.
But none of these men 'received everything as everything." No, all of these men began "by choosing the better part, which is, nevertheless, everything."
Tuesday, June 23, 2015
Tuesday, April 7, 2015
Wyndham
I was in the law school court
yard holding the red folding bike by its handle bars. It had seen a lot. It had
been through a lot too. One time, desperate to get back to Cali so I could get
back to my job (my job, anyone’s job, get 15 bags and drop them in front of the
black crane), I feared there would be no room in the bus for the bike,
disassembled and bungee-chorded together. Moraline always spoke of papayas,
papaya-stealing—no, no, the metaphor. Yes, the metaphor. The metaphor is that
you take a juicy papaya and, depleted but still below the high city, you eat
the kilogram of orange flesh, wash off your hands, and wonder where, precisely,
you are going to, and why you are rushing. Why not just ask the old lady for
something? Ask her if, with her, you could let you guard down for once. Jesus,
she sold you a papaya. Is she going to steal your papaya? She’d have to claw
her way inside your abdomen, like the Satanists of Buga. Maybe the old woman
would get into bed with you in the night. In exhausted haze her warm earth
covered dress would not contain her heat. You would still be dreaming of the
papaya as she straddled your nighttime erection. It would be as good as any and
in the morning you’d wonder why the sap, that if deep within hot fruit there is youth. There is no taking of papayas. It rots
or runs down your face and if you’re hungry enough for the seeds you have a
mouthful of black pepper. That bike almost didn’t make it. The man in St. Agustin sold me the ticket but there was no room on
the bus. No way the bike would fit in the jam-packed luggage compartment in
back. He shoved that folding bike into the other baggage and the chain marked
the cargo black and the teeth of the rings cut into leather and cardboard. I
was rushing back to it. First the adults tell you about it in vague and
frightened tones, and then the teachers, scared shitless by something that
spilled outside of some jar, if that’s the noise inside, but they point out the
force field. So here I am at the law school with this bike. Without it not much
makes sense to me, but with it I feel like I’m walking around with a sword,
looking for a battle field. He’s a fit man with a grey beard and I have the
impression he is a law professor. How do you like the folding bike, he asks. It
was almost too much for him to say it, you can’t contain yourself when you see
a folding bike with the panniers and beaten up and looking like it’s been on
the road for ever and ever. Back in better times cycling was my life. I took a
boat to Haines and cycled through Whitehorse and
on the way he ran into a fella, completely ratty and filthy, who had been
riding in the Arctic Circle and must have
certainly been fed by the Inuit. Swiss or German guy I think, he said. That’s
hard core. I knew a Swiss guy who rode from Anchorage
to Tierra del Fuego. Yeah, I’ve ridden in Mexico myself,
a few sketchy roads, few close calls. The whole time both of us wished it
ended. Too much, too much for me not to be riding and too much for a young man
trapped in an ’86-year-old’ body not to be able to ride. He still wanted to
ride. He wasn’t a coward. He could take my body, damn it, finally some new
blood, finally a swift and strong spirit. I’m hoping you still have many travels
ahead of you. No, no, the doctors said I can’t ride again. Neurological issues.
Sometimes the parts wear out. I’m 86. But you look 60, and it could have been
true. You don’t believe old age. You don’t believe in the stories of frailty.
The stories of death are terrible arguments and can easily be picked apart.
People stop seeing a man and make up stories. No one dies. The ‘old men’ are
actors. Wyndham is just there to remind me of something. Have you ever met
Reinhold, the founder of Foldingbike, he asked. No, but I’ve been there. You
can spend the whole day there. Each time someone comes in you share stories and
you talk about gear. If they had beds maybe people would live there. I helped
them get started back then, he said. Good people. Very, helpful people, I
added. I said goodbye to Wyndham. I walked home with the bike and light rain
fell on my head and it was cold and damp.
Friday, January 30, 2015
Minutos and the Panty
Hesiod's brother made a similar mistake. It is not a 'mistake' women make--it is in their nature. She did not discuss matters with the viejo. Instead she went to the state.
"To you, Perses, you great fool, I will speak my fine thoughts: Misery is there to be grabbed in abundance, easily, for smooth is the road, and she lives very nearby; but in front of Excellence the immortal gods have set sweat, and the path to her is long and steep, and rough at first--yet when one arrives at the top, then it becomes easy, difficult though it is."
Perses made the mistake of mistaking his own misfortune with the oikos of his brother. He, Perses, went to the gift-eater and a web of lies and violence followed. If there was a problem with the old man, what is required is that one goes to the old man. Tell him you are a man of your word and not of the panty. To be a man of the panty is a man of the great mysteries. To understand the magnetic vagina and its perpetual cloaking and denuding. But to denude this man, and to deprive this man of his own cloaking mechanism--without the panty the vagina succums to the schizoid psychosis of legibility. Yet it is claimed the vagina is a perpetual vulnerability to attacks of legibility, and worse that it seeks discovery--the penis, that which makes legible, the vagina, that which requires legibility. A woman builds her state to elude legibility, a man seeks only to tear down this state. And hence the panty as the illusion of immunity to the state. Yet the panty is in fact a beakon of legibility, a public transcript with an implicit and publicized hidden transcipt. The panty should be obvious but it is anything but obvious. It is immediate yet obscure: its alleged immediate intuition is mysterious. Hence the panty is the project of legibility--both to elude and to perpetuate--made manifest under the panoptic schism or schizoid mode of being. Woman tears down her state, yet then rebuilds the castle. Or she hides behind a single blade of grass: the thong. Verily the minuto and the panty are inauthentic modes of being: the minuto viejo sells the narcotic fantasy, which only brings a man closer to the womb of his mother. He denies the panty is a representation of anything particular, that he is external to it and immune to any curiosity of its mystery. Yet the panty is his very reason for his pursuit of the narcotic victory. He is given his medal and attempts to exchange this currency for what is not accidentally proximate: the panty store. He approaches couageously to enter the womb. He is paralysed with impotency, the state of the woman proclaims his currency inauthentic. The medals of his narcotic victory have been in vain. He denounces the panty and seeks to forever seal the entrance to the womb. Yet his pursuit of other narcotic victories will only lead to more false currencies which will again be analysed by those who have themselves instituted the fraudulence of not merely one currency but the institution fo the state and the issuance of currency itself. The fiat is the essence of woman, floating in disbelief in the cities and pulling men as if a perpetual emanation of perfume. The smell of money is that of fraudulent victory. And with this fraudulent victory man will not purchase his traversing of mystery. He will not denude the perpetual fiction of woman who de facto will not accept currency for the very reason she will not accept herself--it is a painful mirror of the delusive fraud that is her inner being, the currency merely promting the aching tug at her soul that her statehood only murders what it claims to value and protect: the tugging is infinite yet chasms of the finite penetrate the infite, until the final tug and pull and drop of the entirely fraudulent, fiat currency of the panty. A panty store: a holy cathedral of deception. And what is its operating extraction from the soul of man: the victory medal of the state, fiat currency.
"To you, Perses, you great fool, I will speak my fine thoughts: Misery is there to be grabbed in abundance, easily, for smooth is the road, and she lives very nearby; but in front of Excellence the immortal gods have set sweat, and the path to her is long and steep, and rough at first--yet when one arrives at the top, then it becomes easy, difficult though it is."
Perses made the mistake of mistaking his own misfortune with the oikos of his brother. He, Perses, went to the gift-eater and a web of lies and violence followed. If there was a problem with the old man, what is required is that one goes to the old man. Tell him you are a man of your word and not of the panty. To be a man of the panty is a man of the great mysteries. To understand the magnetic vagina and its perpetual cloaking and denuding. But to denude this man, and to deprive this man of his own cloaking mechanism--without the panty the vagina succums to the schizoid psychosis of legibility. Yet it is claimed the vagina is a perpetual vulnerability to attacks of legibility, and worse that it seeks discovery--the penis, that which makes legible, the vagina, that which requires legibility. A woman builds her state to elude legibility, a man seeks only to tear down this state. And hence the panty as the illusion of immunity to the state. Yet the panty is in fact a beakon of legibility, a public transcript with an implicit and publicized hidden transcipt. The panty should be obvious but it is anything but obvious. It is immediate yet obscure: its alleged immediate intuition is mysterious. Hence the panty is the project of legibility--both to elude and to perpetuate--made manifest under the panoptic schism or schizoid mode of being. Woman tears down her state, yet then rebuilds the castle. Or she hides behind a single blade of grass: the thong. Verily the minuto and the panty are inauthentic modes of being: the minuto viejo sells the narcotic fantasy, which only brings a man closer to the womb of his mother. He denies the panty is a representation of anything particular, that he is external to it and immune to any curiosity of its mystery. Yet the panty is his very reason for his pursuit of the narcotic victory. He is given his medal and attempts to exchange this currency for what is not accidentally proximate: the panty store. He approaches couageously to enter the womb. He is paralysed with impotency, the state of the woman proclaims his currency inauthentic. The medals of his narcotic victory have been in vain. He denounces the panty and seeks to forever seal the entrance to the womb. Yet his pursuit of other narcotic victories will only lead to more false currencies which will again be analysed by those who have themselves instituted the fraudulence of not merely one currency but the institution fo the state and the issuance of currency itself. The fiat is the essence of woman, floating in disbelief in the cities and pulling men as if a perpetual emanation of perfume. The smell of money is that of fraudulent victory. And with this fraudulent victory man will not purchase his traversing of mystery. He will not denude the perpetual fiction of woman who de facto will not accept currency for the very reason she will not accept herself--it is a painful mirror of the delusive fraud that is her inner being, the currency merely promting the aching tug at her soul that her statehood only murders what it claims to value and protect: the tugging is infinite yet chasms of the finite penetrate the infite, until the final tug and pull and drop of the entirely fraudulent, fiat currency of the panty. A panty store: a holy cathedral of deception. And what is its operating extraction from the soul of man: the victory medal of the state, fiat currency.
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